Tuesday, October 7, 2008

Trebuchet

A trebuchet or trebucket is a siege engine that was employed in the Middle Ages either to smash masonry walls or to throw projectiles over them. It is sometimes called a “counterweight trebuchet” or "counterpoise trebuchet" in order to distinguish it from an earlier weapon that has come to be called the “traction trebuchet”, the original version with pulling men instead of a counterweight.

The counterweight trebuchet appeared in both Christian and Muslim lands around the Mediterranean in the twelfth century. It could fling three-hundred-pound projectiles at high speeds into enemy fortifications. On occasion, disease-infected corpses were flung into cities in an attempt to infect the people under siege—a medieval variant of biological warfare. Trebuchets appear in China in about the 4th century BC and in Europe in the 6th century AD, and did not become obsolete until the 16th century, well after the introduction of gunpowder. Trebuchets were far more accurate than other medieval catapults.

The basic workings of a trebuchet



The mangonel had poorer accuracy than a trebuchet . The mangonel threw projectiles on a lower trajectory and at a higher velocity than the trebuchet with the intention of destroying walls, rather than hurling projectiles over them.



A trebuchet works by using the mechanical advantage principle of leverage to propel a stone or other projectile much farther and more accurately than a catapult, which swings off of the ground. The sling and the arm swing up to the vertical position, where usually assisted by a hook, one end of the sling releases, propelling the projectile towards the target with great force.

Many advancements have been made upon the trebuchet. Scientists are still in argument over whether the ancients used wheels to absorb some of the excess and put it back into the projectile. It is known that troughs, often rotated in either direction for aiming, were used for the projectile to slide along, thus increasing accuracy. A bar placed at the stopping point of the arm may have been used to take more advantage of the wood 's natural springiness, though this much more resembles a catapult.

Trebuchets vs. Torsion




The trebuchet is often confused with the earlier, less powerful engines. The main difference is that a torsion engine uses a twisted rope or twine to provide power, whereas a trebuchet uses a counterweight on a fulcrum, usually much closer to the fulcrum than the payload for mechanical advantage, though this is not necessary. A trebuchet also usually has a sling holding the projectile, which provides a larger arc without having to have a taller trebuchet, because it can be tucked underneath.

Both trebuchets and torsion engines are classified under the generic term "catapult," which includes any non-handheld mechanical device designed to hurl an object without the aid of an explosive substance.
lkhj;lkh

Floating Arm Trebuchet


A floating arm trebuchet is a modern variant of a trebuchet. The main difference is that an FAT drops the weight straight downwards from a longer height, and the arm is mounted on wheels to keep it from interfering. This increases the energy output, even with an arm with less mechanical advantage.

History






The trebuchet derives from the ancient . A variation of the sling contained a short piece of wood to extend the arm and provide greater leverage. This evolved into the traction trebuchet by the , in which a number of people pull on ropes attached to the short arm of a lever that has a sling on the long arm. This type of trebuchet is smaller and has a shorter range, but is a more portable machine and has a faster rate of fire than larger, counterweight-powered types. The smallest traction trebuchets could be powered by the weight and pulling strength of one person using a single rope, but most were designed and sized for between 15 and 45 men, generally two per rope. These teams would sometimes be local citizens helping in the siege or in the defense of their town. Traction trebuchets had a range of 100 to 200 feet when casting weights up to 250 pounds. It is believed that the first traction trebuchets were used by the Mohists in China as early as in the 5th century BCE, descriptions of which can be found in the .

The traction trebuchet next appeared in Byzantium. The ''Strategikon'' of Emperor Maurice, composed in the late 6th century, calls for "ballistae revolving in both directions," , probably traction trebuchets . The ''Miracles of St. Demetrius'', composed by John I, archbishop of Thessalonike, clearly describe traction trebuchets in the Avaro-Slav artillery: "Hanging from the back sides of these pieces of timber were slings and from the front strong ropes, by which, pulling down and releasing the sling, they propel the stones up high and with a loud noise."

There is some doubt as to the exact period in which traction trebuchets, or knowledge of them, reached Scandinavia. The Vikings may have known of them at a very early stage, as the monk Abbo de St. Germain reports on the in his epic ''De bello Parisiaco'' dated about CE 890 that engines of war were used. Another source mentions that Nordic people or "the Norsemen" used engines of war at the siege of Angers as early as CE 873.

The first clearly written record of a counterweight trebuchet comes from an Islamic scholar, Mardi bin Ali al-Tarsusi, who wrote a military manual for Saladin circa 1187. He describes a hybrid trebuchet that he said had the same hurling power as a traction machine pulled by fifty men due to "the constant force , whereas men differ in their pulling force." .

He allegedly wrote "Trebuchets are machines invented by unbelieving devils." . This suggests that by the time of Saladin, Muslims were acquainted with counterweight engines, but did not believe that Muslims had invented them. Al-Tarsusi does not specifically say that the "unbelieving devils" were Christian Europeans, though Saladin was fighting Crusaders for much of his reign, and the manuscript predates the Chinese and Mongol weapons . They took about twelve days to build depending on how big the structure was going to be.

In his book, ''Medieval Siege'', Jim Bradbury extensively quotes from Mardi ibn Ali concerning mangonels of various types, including Arab, Perisan and Turkish, describing what could be trebuchets, but not quoted as above. In ''On the Social Origins of Medieval Institutions'' , more detailed quotes by Mardi ibn Ali may be found on the various types of trebuchets, including the "Christian" type used by the Crusaders.

P.E. Chevedden states that his recent research shows that trebuchets reached the eastern Mediterranean by the late 500s, were known in Arabia and were used with great effect by Islamic armies. The technological sophistication for which Islam later became known was already manifest. He says that in particular, Islamic technical literature has been neglected. The most important surviving technical treatise on these machines is Kitab Aniq fi al-Manajaniq , written in 1462 by Yusuf ibn Urunbugha al-Zaradkash. One of the most profusely illustrated Arabic manuscripts ever produced, it provides detailed construction and operating information.

Chevedden further states: Engineers thickened walls to withstand the new artillery and redesigned fortifications to employ trebuchets against attackers. Architects working under al-Adil , Saladin’s brother and successor, introduced a defensive system that used gravity-powered trebuchets mounted on the platforms of towers to prevent enemy artillery from coming within effective range. These towers, designed primarily as artillery emplacements, took on enormous proportions to accommodate the larger trebuchets, and castles were transformed from walled enclosures with a few small towers into clusters of large towers joined by short stretches of curtain walls. The towers on the citadels of Damascus, Cairo and Bosra are massive structures, as large as 30 meters square.


At the Siege of Acre in 1191, Richard the Lionheart assembled two trebuchets which he named "God's Own Catapult" and "Bad Neighbour". During a siege of Stirling Castle in 1304, ordered his engineers to make a giant trebuchet for the English army, named "Warwolf". Range and size of the weapons varied. In 1421 the future Charles VII of France commissioned a trebuchet that could shoot a stone of 800 kg, while in 1188 at Ashyun, rocks up to 1,500 kg were used. Average weight of the projectiles was probably around 50-100 kg, with a range of ca. 300 meters. Rate of fire could be noteworthy: at the siege of Lisbon , two engines were capable of launching a stone every 15 seconds. Also human corpses could be used in special occasion: in 1422 Prince , for example, in the siege of Karl?tejn shot men and manure within the enemy walls, apparently managing to spread infection among the defenders.

Counterweight trebuchets do not appear with certainty in Chinese historical records until about CE 1268, when the Mongols laid siege to Fancheng and Xiangyang, although Joseph Needham has propounded the view that Qiang Shen, a Chinese commander of the Jurchen Jin Dynasty, 1115-1234, may have invented an early counterweight engine independently in CE 1232 . At the , the Mongol army, unable to capture the cities despite besieging the defenders for years, brought in two Persian engineers who built hinged counterweight trebuchets and soon reduced the cities to rubble, forcing the surrender of the garrison. These engines were called by the Chinese historians the Huihui Pao or Xiangyang Pao , because they were first encountered in that battle.

The largest trebuchets needed exceptional quantities of timber: at the siege of Damietta, in 1249, Louis IX of France was able to build a stockade for the whole Crusade camp with the wood from 24 captured Egyptian trebuchets.

With the introduction of gunpowder, the trebuchet lost its place as the siege engine of choice to the cannon. Trebuchets were used both at the siege of Burgos and . The last recorded military use was by Hernán Cortés, at the 1521 siege of the Aztec capital Tenochtitlán. Accounts of the attack note that its use was motivated by the limited supply of gunpowder. The attempt was reportedly unsuccessful: the first projectile landed on the trebuchet itself, destroying it.

In 1779 British forces defending Gibraltar, finding that their cannons were unable to fire far enough for some purposes, constructed a trebuchet. It is unknown how successful this was: the Spanish attackers were eventually defeated, but this was largely due to a sortie.

Models





Today, smaller trebuchets are built for school science and history fairs, competitions or as a hobby. These can be purchased from s, or from several online stores. Models range from small, 1/30th scale models to full size trebuchets.

A full-scale trebuchet, claimed to be the worlds largest, is at Warwick Castle. The Warwick Trebuchet is 18 metres tall and weighs 22 tons; it is made from English Oak, with a throwing arm of Ash. Constructed in 2005, from 13th century notes and drawings, it is in regular operation, firing twice a day between March and October.

Ancestral home

In Chinese culture and , hometown or ancestral home is the place of origin of one's extended family. It may or may not be the place where one is born. For instance, Tsung-Dao Lee was born in Shanghai, China, but his hometown is listed as Suzhou.

A person's ancestral home is a rather vague concept, which can be defined by the birth place of ''any'' of his or her patriline ancestors. Su Shi limited it to five generations, i.e. it refers to the home of one's great-great-grandfather. Even more broadly, an ancestral home can refer to the first locality where a came to be established or prominent. Commonly, a person usually defines his/her hometown as what his/her father considers to be his ancestral home. In practice, most people would define their ancestral homes as the birthplace of their patriline ancestors from the early 20th Century, around the time when government authorities began to collect such information from individuals.

Moreover, a person's ancestral home can be defined in any level of locality, from province and county down to town and village, depending on how much an individual knows about his/her ancestry. For example, Bruce Lee's ancestral hometown is, in full, Guangdong Province, Shunde District, Jun'an Town .

The Chinese emphasis on a person's ancestral home is a legacy of its history as an agrarian society, where a family would often be tied to its land for generations. In Chinese culture, the importance of family and regional identity are such that a person's ancestral home or birthplace plays an important social role in personal identity. For instance, at a university, students who hail from the same region will often become members of the regional/hometown association or club for other people with the same background. Discussion of personal or ancestral origins is typical when two people meet for the first time. In recent years, the root-seeking movement has led to greater interest in ancestral hometowns, especially among overseas Chinese.

Ancestral home is an item to be filled in many documents in the People's Republic of China, as well as in pre-1997 Hong Kong. Likewise s and s issued in Taiwan by the Republic of China government formerly carried an entry for "home citizenship" . Citizens would usually have their ancestral home stated on these documents, despite, as in the case of many Mainlanders born in Taiwan to parents, having never set foot in their ancestral home. This practice was abolished by the government in the mid-1990s amid the Taiwan localization movement.

Culture of China

The Culture of China is home to one of the world's oldest and most complex civilizations covering a history of over 5,000 years. The nation covers a large geographical region with customs and traditions varying greatly between towns, cities and . Chinese culture is a broad term used to describe the cultural foundation, even among Chinese-speaking regions outside of mainland China.

People in the culture



Identity



Many have existed in China. In terms of the numbers, however, the pre-eminent ethnic group is the Han Chinese. Throughout history, many groups have been assimilated into neighboring ethnicities or disappeared without a trace. At the same time, many within the Han identity have maintained distinct linguistic and regional cultural traditions. The term Zhonghua Minzu has been used to describe the notion of Chinese nationalism in general. Much of the traditional cultural identity within the community has to do with distinguishing the .

Regional


Traditional Chinese Culture covers a large geographical territories, each region is usually divided into distinct sub-cultures. Using modern names, here are some distinction:

* The Yangtze River areas include Sichuan, Yunnan, Guizhou, Hunan, Hubei, Jiangxi, Anhui, Zhejiang and Jiangsu.

Society




Structure



Since the Three Sovereigns and Five Emperors period, some form of has been the main ruler above all. Different periods of history have different names for the various positions within society. Conceptually each imperial or feudal period is similar, with the government and military officials ranking high in the , and the rest of the population under regular Chinese law. Since the late Zhou Dynasty , traditional Chinese society was organized into a hierarchic system of socio-economic classes known as the four occupations. However, this system did not cover all social groups while the distinctions between all groups became blurred ever since the of Chinese culture in the Song Dynasty . also has a long history; ever since the Sui Dynasty educated candidates prepared for the Imperial examinations that drafted exam graduates into government as scholar-bureaucrats. Trades and crafts were usually taught by a sifu. The female historian Ban Zhao wrote the Lessons for Women in the Han Dynasty and outlined the four virtues women must abide to, while scholars such as Zhu Xi and would expand upon this. Chinese marriage and Taoist sexual practices are some of the customs and rituals found in society.

Values



Most social values are derived from Confucianism and Taoism with a combination of conservatism. The subject of which school was the most influential is always debated as many concepts such as Neo-Confucianism, and many others have come about. Reincarnation and other concept is a reminder of the connection between real-life and the next-life.

Language




Spoken Chinese has consisted of a number of throughout history. In the Ming Dynasty standard Mandarin was nationalized. Even so, it wasn't until the Republic of China era in the 1900s when there was any noticeable result in promoting a common unified .

The ancient written standard was Classical Chinese. It was used for thousands of years, but was mostly reserved for scholars and intellectuals. By the 20th century, millions of citizens, especially those outside of the imperial court were illiterate. Countless number of imperial kitchen staff and concubines were involved in the food preparation process. Overtime, many dishes became part of the everyday-citizen culture. Some of the highest quality restaurants with recipes close to the dynastic periods include Fangshan restaurant in Beihai Park Beijing and the Oriole Pavilion. Arguably all branches of or even American Chinese food are in some ways rooted from the original dynastic cuisines.

Leisure


A number of and pastimes are popular within Chinese culture. The most common game is Mah Jong. The same pieces are used for other styled games such as . Others include Pai Gow, Pai gow poker and other games. Go proverb and Xiangqi is also popular. Ethnic games like Chinese yo-yo are also part of the culture.

Gallery

Comets in Chinese culture

In some Chinese cultures, comets are believed to bring bad luck to mankind.

In a Chinese family, daughters-in-law are considered outsiders and are blamed for creating problems in the family, especially with their mother-in-law. Because of this, they are often referred to as a "comet." E.g. "Oh my God, my son married a comet!"

A wife who is a comet has been known to bring down the fortune of not only her husband, but the wealth and well-being of the entire family.

However, the usage of 'comet' is not only limited to daughters-in-law. It is also used on other familial outsiders such as maids, employees, and others.

Color in Chinese culture

Color in Chinese culture refers to the various colors that are considered auspicious or inauspicious .

Red



A red envelope is a monetary gift which is given in Chinese society during holiday or special occasions. The red color of the packet symbolizes good luck.

Red is strictly forbidden at funerals as it is a traditionally symbolic color of happiness.

Green


Generally green is associated with "health prosperity, and harmony" but green hats are associated with infidelity, which causes trouble for Catholic bishops, whose coat of arms have green hats on them.

White


Unlike the Western meanings of purity, chastity, holiness and cleanliness, White is associated with death and is used predominantly in funerals in Chinese culture.

Black


Black is a neutral color used in daily clothing but is also used during a funeral to symbolize mourning. A black cloth of some sort is usually hung over the dead person's picture.

Blue or Dark Blue


Blue or Dark blue is also a color for sombre occasions like funerals and deaths.

Classical Chinese medicine

Classical Chinese medicine is notably different from traditional Chinese medicine . CCM represents the medicine and its evolution over the past two millennia. It is distinct from, yet shares history and much information with Traditional Chinese Medicine . Classical Chinese medicine refers to Chinese medicine that takes seriously its ancient roots, using classical texts and the skills that emerge from studying them, as the basis for medical practice. It is distinct from TCM insofar that TCM represents efforts to replant Chinese medicine in the soil of Western medicine.

Chinese medicine has been practiced for well over two thousand years and its effectiveness has been experienced by millions of people. Throughout time it has evolved and changed, but its fundamental roots have always remained the same. As Western influences threatened the validity of Chinese medicine, a movement began to develop to selectively thin out any aspect of the medicine that might not be acceptable to the Western scientific tradition. TCM is an outgrowth of this movement and as a result, many of the classical traditions were put aside.

Classical Chinese medicine takes into account this entire history. A classical education compares the new developments and "Westernized" models of Chinese medicine with the classical form of the medicine and searches for the roots in both, seeking what the founders of Chinese medicine sought. In studying this, it has been found that classical Chinese medicine became canonized and collated to a definitive degree during the Han dynasty . Therefore, classical Chinese medicine remains focused upon these early fundamental establishments. Later developments can be understood through this lens. TCM therefore can be understood by classically trained practitioners, but a TCM education does not provide an understanding of the classical tradition.

Recently however, there has been a resurgence in the interest in learning and practicing CCM. To learn CCM traditionally one had to be part of a family lineage of the medicine. This family lineage protected its knowledge and practice to ensure the prosperity of future generations. Recently, however, there has been a resurgence in interest in CCM in China, Europe and United States. CCM can be learned in more contemporary ways

Classical texts



The foundation of classical Chinese medicine as a contemporary clinical science is the reading, analyzing and clinical use of classical texts. What is considered classical is up for debate, but the list certainly includes:

Shang Han Lun/ Jinkui Yaolue - The Treatise on Cold Damage/ Essentials of the Golden Cabinet, written in the Han dynasty by Zhang Zhong Jing

Huangdi Neijing - The Yellow Emperor's Classic of Internal Medicine

The Huangdi Neijing is composed of the Suwen and the Lingshu
The Shennong Ben Cao Jing

also included are:

-- The Pulse Classic
-- The Classic of Difficulties, attributed to Bian Que of the Warring States Period, but most likely a Han Dynasty text
"the Jia Yi Jing" -- the Yellow Emperor's Systematic Classic of Acupuncture and Moxibustion; compiled by Huang-fu Mi , also published by Blue Poppy Press Inc.
- The Classic of the Central Viscera, written by Hua Tuo

Related links


* at National College of Natural Medicine
*, growing international community around CCM
*, blog of a student of Classical Chinese Medicine at National College of Natural Medicine
*

Chinese wedding album

A Chinese wedding album is an elaborate book of pictures that became a part of s in the late 20th century.

The album usually consists of many pictures of the bride and groom taken at various locations with many different costumes. In Singapore, these costumes often include wedding costumes belonging to different cultures, including Arab and wedding costumes.

In contrast to Western wedding pictures, the Chinese wedding album usually does not contain pictures of the actual ceremony and wedding itself. In Hong Kong, however, pictures of the ceremony and wedding are taken as well.